Memoir of a hedged-equity pioneer's seven decades on Wall Street
Neuberger founded Neuberger Berman in 1939 and worked on Wall Street for almost seven decades, having started at Halle and Stieglitz in 1929 shortly before the crash. This memoir, written at ninety-four, covers his career, his investment approach and his art collecting.
The investment content centres on hedging. Neuberger paired long and short positions from early in his career, and he describes shorting Radio Corporation of America in 1929 against his long positions as the trade that preserved his capital through the crash. He is a trader rather than a buy-and-hold investor, and his stated approach emphasises attention to price, willingness to take small losses quickly, and scepticism about holding a position because of an attachment to the company. He also discusses the mutual fund business he built and the shift in the industry over his lifetime.
The art collecting is a substantial part of the book. Neuberger bought contemporary American work by living artists, including Pollock, de Kooning, Rothko and Avery, on a policy of never selling and of donating to public institutions, and he founded the Neuberger Museum at Purchase College.
The book is a memoir rather than a manual, with anecdote rather than method, and readers looking for a systematic investment framework will not find one. The reference has not verified many of the specific claims about individual trades, which rest on the author's recollection decades later. Its value is as a first-hand account of Wall Street across an unusually long span and as an early statement of long-short practice.
Investors interested in a first-hand account of long-short practice and Wall Street across seven decades, read as memoir rather than method.
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