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The Elements of Style

The Elements of Style

William Strunk, E.B. White
1920
76 pages · about 1h 16m to read OL38285Wgoodreads

Summary

Strunk wrote the original for his Cornell students in 1918 and E. B. White, who had been one of them, revised and expanded it in 1959. It is under a hundred pages and consists of numbered rules with examples. The sections cover elementary rules of usage, principles of composition, matters of form, commonly misused words and expressions, and White's chapter on style. The most cited instructions include omit needless words, use the active voice, put statements in positive form, use definite and concrete language, keep related words together, and place the emphatic words of a sentence at the end.

White's final chapter argues that style cannot be taught directly, that it emerges from the writer rather than being applied to the writing, and that a writer should place themselves in the background and write in a way that comes naturally.

The book has been criticised seriously by linguists. Geoffrey Pullum's essay identifies rules that are factually wrong about English grammar, including the treatment of the passive voice where several of Strunk's own examples are not passive, and argues that the prescriptions have made generations of writers anxious about constructions that are perfectly standard. The usage section reflects mid-century American preferences presented as rules.

It remains useful as a discipline rather than as a description of English. The instruction to remove unnecessary words and to prefer concrete language improves nearly all writing. The rules should be treated as defaults to depart from deliberately rather than as grammar.

Key takeaways 8

  1. Omitting needless words is the single instruction that improves most writing, and it requires deciding what each word is doing.
  2. The active voice identifies who performed an action, which the passive conceals, and this usually makes the sentence shorter as well.
  3. Statements should be put in positive form, since telling a reader what is not the case leaves them without information.
  4. Definite and concrete language is understood and remembered while abstraction is not.
  5. The emphatic position in a sentence is the end, so the most important word should be placed there.
  6. Related words should be kept together, since separation forces the reader to reassemble the meaning.
  7. Style emerges from the writer rather than being applied to the writing, which is White's argument in the final chapter.
  8. Linguists have identified rules in the book that are factually wrong about English, including several of its passive voice examples.

Who should read it

Anyone who writes professionally and wants a very short set of defaults, treated as discipline rather than as grammar.

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