Bulgakov wrote the novel between 1928 and his death in 1940, revising it repeatedly, and it was published in censored form only in 1966 and complete in 1973. The devil, appearing as a foreign professor named Woland, arrives in Soviet Moscow with a retinue including a talking cat, and produces chaos among the literary and bureaucratic establishment.
Three narratives interlock. The Moscow chapters satirise the Soviet cultural apparatus, the housing bureaucracy, the state security organs and the writers' union, whose members are shown competing for apartments and restaurant privileges while producing work to order. The second narrative is a novel about Pontius Pilate written by a character called the Master, whose manuscript was rejected and who burned it and was committed to an asylum. The third follows Margarita, his lover, who accepts Woland's offer to host his ball in exchange for the Master's return.
The line that manuscripts do not burn is the novel's most quoted, and it carries the book's central claim about the survival of work under a regime that suppresses it. Bulgakov wrote it knowing it could not be published and burned an early draft himself.
The satire of the Soviet literary establishment is precise and requires some context to follow. The Pilate chapters are written in a completely different register and readers frequently find one thread more compelling than the other. Translations vary substantially in how they handle the humour and the wordplay. Its business relevance is minimal and its interest is as a document of work produced under conditions where publication was impossible.
Readers interested in a satirical account of institutional life under a system that allocated everything, produced under conditions of certain suppression.
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