The Odyssey is a Greek epic poem in twenty-four books, composed around the eighth century BCE from an oral tradition, following Odysseus' ten-year journey home from Troy and the situation at Ithaca where suitors have occupied his household and are consuming his property while his wife Penelope delays them.
The structure is not chronological. The first four books follow Telemachus searching for news of his father, the middle books have Odysseus narrate his own adventures retrospectively at the Phaeacian court, and the final third covers his return in disguise and the killing of the suitors.
The qualities the poem attributes to Odysseus are practical rather than heroic in the Iliad's sense. He is described repeatedly as of many turns, meaning resourceful and devious, and he survives through disguise, deception, patience and the willingness to accept humiliation. He conceals his identity for extended periods, tests people before revealing himself, and refuses immortality offered by Calypso in favour of returning to a mortal wife and an ordinary kingdom.
The episodes that circulate independently include the Cyclops, the Sirens, Scylla and Charybdis, and Circe. The Sirens episode, in which Odysseus binds himself to the mast in advance because he knows he will want to be released, is the standard reference for a commitment device. Translations differ enormously, and Emily Wilson's 2017 version is substantially different in register from earlier ones. The poem's treatment of the slaves killed at the end reads very differently now. Its business use is largely the commitment device and the resourcefulness of its protagonist.
Readers wanting the foundational narrative of resourcefulness and delayed return, and the origin of the commitment device.
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