
The Greece chapter on hidden deficits, the tax base and off-balance-sheet borrowing.
Lewis collects reporting from Iceland, Greece, Ireland, Germany and California, examining how the credit available before 2008 was used differently in each place and arguing that the pattern reveals something about each society. His framing device is that cheap money functioned as a test of what each country did when nobody was watching.
Iceland's fishermen and small-country bankers built a leveraged financial sector many times the size of the economy on trades they did not understand. Ireland's banks lent against domestic property to a degree that made the state insolvent when it guaranteed them, and Lewis focuses on why the government issued a blanket guarantee without knowing the size of the exposure. Greece's problem was a state that had lost the ability to collect taxes and had concealed its deficits, with public sector employment and pensions as the mechanism. Germany's banks bought the worst of everyone else's securities, which Lewis attributes to a rule-following disposition that trusted the ratings. California's chapter covers municipal finances and public pension obligations.
The reporting is vivid and Lewis is a very good writer of scenes.
The method is the problem. Lewis explains national outcomes through national character in ways that reduce to stereotype, and the Greek and German chapters in particular drew heavy criticism on this basis. He selects colourful sources and the analysis is thin relative to the storytelling. Several predictions, particularly about municipal defaults in the United States, did not occur. The reporting on Ireland's guarantee decision and on Iceland's banking expansion is the most substantive material, and the national character framing should be disregarded.
Readers who want vivid reporting on how the 2008 credit cycle played out differently by country, discounting the national character explanations.
Financial journalist and author; former Salomon Brothers bond salesman
Liar's Poker, The Big Short and Flash Boys are the primary narrative sources later writers build on for Wall Street of the 1980s, the subprime crisis and high-frequency trading.
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