Catalogue buyers arrived long after the lawyers did: the useful books are music-business contract manuals plus economics of what a copyright is now worth.
How the music business works in contracts and money, from a music lawyer.
How the mp3, a CD-factory leaker and pirate websites broke the music business.
The economics of the music industry, where superstar markets show up in pure form.
The publishing-side reference on royalty streams and licensing income.
Evidence that patents work poorly as property; the IP-as-asset skeptic case.
How intermediaries capture creative-work rents; the bear case for creators.