
Liu's novel, published in Chinese in 2008 and in Ken Liu's English translation in 2014, opens during the Cultural Revolution with the killing of a physicist by Red Guards. His daughter Ye Wenjie, sent to a secret radar installation, discovers a method of amplifying radio signals off the sun and receives a warning from an alien civilisation not to reply. She replies, having concluded that humanity cannot correct itself.
The present-day plot follows nanomaterials researcher Wang Miao investigating a wave of physicist suicides and a virtual reality game that turns out to be a recruitment tool. The Trisolaran civilisation lives in a system with three suns whose motion is chaotic and unpredictable, producing eras of stability and catastrophic destruction, which is the three-body problem of the title. Their solution is to take Earth.
The science is central rather than decorative, covering the actual unsolvability of the three-body problem, the proton unfolded into higher dimensions to create the sophon that blocks Earth's particle physics research, and a treatment of physics research as the strategic bottleneck of a civilisation. The strategic content that technology readers cite comes largely from the sequels, particularly the dark forest hypothesis about why civilisations stay silent, which appears in the second book. This first volume establishes the setup.
The characters are thin and Liu writes in a mode that prioritises ideas over psychology, which many Western readers find flat. The Cultural Revolution material was moved from the opening in the original Chinese publication and restored by the translator. The physics exposition is long. Read it for the treatment of civilisational strategy and technological suppression.
Readers who want hard science fiction on civilisational strategy and technological suppression, with characters treated as vehicles for the ideas.
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