Updates

  1. Person pages list letters, writing, profiles and links as sortable tables with filters, and show each person's companies as links; Fund letters show each letter's description in its own column.
  2. Experts show a checked job title and a short description of each person; 30 more people have photographs.
  3. Every company, fund, university and publication the experts work for has a page listing the people there.
  4. Fund letters show each letter's thesis and filter by it; 225 person pages list the essays, columns and newsletter issues the person wrote.
  5. Person pages list every essay and newsletter issue a person wrote, and their own books as a table in List view.
  6. Recommends shows the five largest kinds of book and the rest under More; browse pictures load sooner.
  7. Podcasts and talks link the original episode, filter by Audio and video or Press, and list each publisher once.
  8. Pages are wider, Recommends has List and Grid, and a filter clicked again turns off.
  9. Book cards sit in a ruled grid with Open Library and Goodreads links and each book's one-line note.
  10. Funds is now Investors; each investor's styles are buttons that filter the table.
  11. Podcasts and talks on a person's page filter by year and publisher and show as a list or a grid of pictures.
  12. Quotes show only people's own words: 472 summaries written by list sites are gone.
  13. Country pages open from Browse again, and every link on the shelf lands on a page.
  14. Subject and person pages show their sections as tabs, and each book appears once on a person's page.
  15. Book cards show the quote, who said it and the source; grids show five cards to a row.
  16. On a phone, a menu holds the sections, search, Updates, Feedback and dark mode.
  17. Feedback takes a screenshot of the page with no browser prompt, opens a screenshot full size when you click it, and clears itself once sent.
  18. Book cards are centred, search names the topic each book sits in, and any text cut short shows whole on hover.
  19. Search groups its results by kind: people, companies, geographies, subjects, topics, books, funds, fund letters and papers.
  20. The Books table lists who recommended each book by name, and the browser tab names the section you are in.
  21. Feedback can take a screenshot of the page, or one you paste or choose, and opens in the corner beside Updates.
  22. Each rail button reopens its section where you left it, and Browse, Table and People show on every book and subject page.
  23. Filters grey out choices that hold nothing instead of hiding them, and Books › People filters by authors or recommenders.
  24. Feedback takes a subject line and up to three screenshots.
  25. Biographies are grouped by the person they are about: 41 new pages, from Abraham Lincoln to Lee Kuan Yew.
  26. Sport splits into 23 sports, and Religion into one topic per faith.
  27. Book lists show as cards: the cover, one recommendation quote and every recommender by name.
  28. Seventeen subjects that had two or three pages under different names now have one page each.
  29. Every page lists its Experts as authors and recommenders, with a link to them on the Experts tab.
  30. Economics, Financial history, Financial panics and Accounting are subjects of their own, with one page per financial crisis.
  31. Book, person and subject pages open inside the app, so the tabs stay in view.
  32. 996 more book covers, and photographs or logos for 227 more people and companies.
  33. Books › Browse shows every subject as cards, and the rail holds Fund letters, Papers, Experts, Books and Funds.
  34. Every topic over 150 books splits into narrower topics, each with a page of its own.

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Refactoring UI

Refactoring UI

Adam Wathan, Steve Schoger
2018
T3 218 pages · about 3h 38m to read Open Librarygoodreads

Where most design books stay in the abstract, this one opens with specific visual decisions: spacing scales, type hierarchies, color palette construction, shadow systems. Written by developers who taught themselves visual design, it's unusually practical and works equally well for product designers who want stronger visual intuition.

Summary

Wathan and Schoger wrote this for developers who need to design interfaces and have no design training. It is organised as a set of specific, applicable tactics rather than as design theory, with before-and-after examples for each.

The substantive advice covers hierarchy, spacing, typography, colour, depth and imagery. On hierarchy they argue that most amateur interfaces fail because everything has the same visual weight, and they give concrete methods: use font weight and colour rather than size to create distinction, de-emphasise supporting text rather than emphasising primary text, and label content only when the label carries information. On layout they argue for starting with too much white space and removing it, for sizing elements by content rather than filling the available width, and for designing the mobile layout in a desktop-width window to avoid cramped thinking. On colour they set out how to build a palette using HSL, why lightness must be varied along with hue, and how to generate the eight to ten shades of each colour a real interface needs. On typography they cover choosing typefaces, line length, line height and the specific problem of vertical alignment.

The book is compact, entirely practical, and it produces visible improvement quickly, which is why it circulates among founders building their own products. It teaches tactics rather than design judgement, so it will not make a reader a designer. Its aesthetic is specific to the mid-2010s web application style, and interfaces built strictly by its rules look similar to each other. It also predates the current design systems and component library practice, though the underlying principles about hierarchy and spacing are not affected.

Key takeaways 7

  1. Interfaces fail most often because every element has equal visual weight, and establishing hierarchy is the single highest-value change.
  2. Hierarchy should be created with font weight and colour rather than with size, because size differences quickly become crude.
  3. De-emphasising secondary content works better than emphasising primary content, since it avoids inflating the whole interface.
  4. Start a design with more white space than seems necessary and remove it, because the common failure is cramped layout rather than sparse layout.
  5. A usable colour system needs eight to ten shades of each hue, and generating them requires varying saturation and lightness together rather than mixing with grey.
  6. Elements should be sized to their content rather than stretched to fill the available width.
  7. Choosing a typeface matters far less than setting line length, line height and weight correctly, and most typography problems are spacing problems.

Who should read it

Founders and developers who build product interfaces without a designer and need immediately applicable tactics.

Who recommended it 2

Similar books 6

Chosen by shared topics, the entries that hold them, and the people who recommended both.

Steve Krug · 2000

Krug's web usability primer has stayed relevant for over two decades because its core argument — that good interfaces require no instruction — is timeless. The chapters on navigation conventions and usability testing with five users are still the most practical introduction to the discipline.

Nir Eyal · 2014

A four-step model for habit-forming products: trigger, action, reward, investment.

Jake Knapp, John Zeratsky, Braden Kowitz · 2001

The Google Ventures five-day workshop format distilled into a repeatable method for answering critical design questions through rapid prototyping and targeted user testing. Less a design book than a process book — most valuable for teams that struggle to move from ideas to validated decisions quickly.

Donald Norman

The book that introduced affordances, signifiers, and feedback loops to a generation of designers. Norman's analysis of why doors, phones, and stoves confuse people is the clearest argument that bad design is a systems failure, not user error. Everything else on this list builds on this vocabulary.

Susan Weinschenk · 1920

Organized as short research-backed chapters on how people see, remember, decide, and feel, this is the most accessible bridge between cognitive science and design practice. The sections on peripheral vision, progressive disclosure, and intrinsic motivation are particularly applicable to interface work.

Alan Cooper

Goal-directed design and personas: fitting software to how users think it works.

Where it sits in the reference 2

Business themes
Business themes

Topics

Art and DesignUX and Interaction Design